Rebecca Beardmore

Biography

Dr. Rebecca Beardmore is currently working as a Lecturer in the Department of Department of Arts and Social Sciences, University of Sydney , Australia. His research interests includes Beardmore's work is situated very much on the boundaries of perception, having a fugitive presence that is almost an absence, in which the viewer is partially reflected, setting up a provocative and shifting relationship between the artist, the work, its meaning and the viewer. The pieces play on the limitations of visual experience, setting up a subtle interplay between image, text and material surface where each layer is presented with such fragility that they cannot be collectively discerned. To engage fully with one involves relinquishing another.. He /she is serving as an editorial member and reviewer of several international reputed journals. Dr. Rebecca Beardmore is the member of many international affiliations. He/ She has successfully completed his Administrative responsibilities. He /she has authored of many research articles/books related to Beardmore's work is situated very much on the boundaries of perception, having a fugitive presence that is almost an absence, in which the viewer is partially reflected, setting up a provocative and shifting relationship between the artist, the work, its meaning and the viewer. The pieces play on the limitations of visual experience, setting up a subtle interplay between image, text and material surface where each layer is presented with such fragility that they cannot be collectively discerned. To engage fully with one involves relinquishing another..

Research Interest

Beardmore's work is situated very much on the boundaries of perception, having a fugitive presence that is almost an absence, in which the viewer is partially reflected, setting up a provocative and shifting relationship between the artist, the work, its meaning and the viewer. The pieces play on the limitations of visual experience, setting up a subtle interplay between image, text and material surface where each layer is presented with such fragility that they cannot be collectively discerned. To engage fully with one involves relinquishing another.