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Joan M. Schwartz

Professor
Department of History
Carleton University
Canada

Biography

Joan M. Schwartz was a specialist in photography acquisition and research at the National Archives of Canada for more than two decades prior to her faculty appointment in the Department of Art History and Art Conservation at Queen’s. She is a Fellow of both the Society of American Archivists and the Royal Canadian Geographical Society. With a particular interest in materiality, memory, and institutional discourse, she has published and lectured widely in the field of archives, historical geography, and the history of photography, and has served on the editorial boards of The Oxford Companion to the Photograph (2004) and the Encyclopedia of Nineteenth-century Photography (2007). She co-edited Picturing Place: Photography and the Geographical Imagination (with James Ryan for I.B.Tauris, 2003) and Archives, Record, and Power, two double issues of Archival Science (with Terry Cook in 2002). Her current research focuses on the history of photography and society, and on theoretical issues relating to archives and memory. With the support of an Insight Grant from the Social Sciences and Humanities Research Council of Canada, she is currently engaged in a four-year research project entitled, ” ‘Picturing Canada’: photographic images and geographical imaginings in British North America, 1839-1889,” focusing on the role of photography in nineteenth-century Canadian nation-building.

Research Interest

History of photography 19th Century Photography & the Geographical Imagination Early Landscape and Travel Photography Photography in Canada Photographic Archives Management Photographs as Art/Fact/Artifact

Publications

  • “Agent of Change or Marketing Bait: The Photograph in 100 Photos That Changed Canada,” Journal of Canadian Studies, 45, 2, Spring 2011: 205-222.

  • “‘To speak again with a full distinct voice’: Diplomatics, Archives, and Photographs,” in Archivi fotografici: Spazi del sapere, luoghi della ricerca, a special issue of Ricerche di Storia dell’Arte (Italy) 106 (2012): 7-24.

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