Cristiano Giometti
Associate Professor
Department of History, Archeology, Geography, Art and Entert
University of Firenze
Italy
Biography
Doctor of History in Visual Arts at the University of Pisa (2004) with a thesis on Baroque sculptor Domenico Guidi (1625-1701), collaborated with the Superintendencies of Pisa and Livorno, the Polo Museale Romano and Lazio and from 2012 is a researcher of Modern Art History at the University of Florence. His research topics are mainly focused on Roman baroque sculpture and its spread in Italy and Europe and the artistic relationships between Italy and England in late Baroque era. Among his publications are the catalog of terracotta sculptures of the National Museum of the Palace of Venice (Rom 2011), as part of a research funded by the Getty Foundation in Los Angeles.
Research Interest
History of Modern Art
Publications
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Sorry, Christian; Pegazzano, Donatella (2016). New features and details on the decorative structures of San Jacopo di Ripoli at the time of Montalve .. In: Cristiano Giometti, Donatella Pegazzano. Masterpieces at Villa La Quiete. Botticelli and Ridolfo of Ghirlandaio on display, pp. 21-33, Florence: Florence University Press, ISBN: 978-88-6453-317-9.
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Giometti, Cristiano (2017). The "superb porcelain machine" of the marquis Carlo Ginori. In: Dimitri ZIkos, Tomaso Montanari with Cristiano Giometti, Marino Marini. The beauty factory. The Manifesto Ginori and his people of statues, pp. 76-89, Florence: Mandragora, ISBN: 9788874613489.
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Giometti, Cristiano (2017). Maratti, Guidi and Sparrows. Contamination between painting and sculpture at the end of the 17th century in Rome. In: Carlo Maratti and his fortune, Rome, 12-13 May 2014, Campisano Editore, pp. 129-146, ISBN: 9788898229819
