Thomas Stammers
Assistant Professor
Department of History
Durham University
United Kingdom
Biography
Thomas Stammers Assistant Professor (Modern European History) in the Department of History. Tom Stammers is a cultural historian of France in the long nineteenth century. His forthcoming book Collection, Recollection, Revolution: Scavenging the Past in Nineteenth-Century Paris explores the politics of collecting, the art market and cultural heritage in post-revolutionary France. His next major project concerns the experience of French dynasties in exile and the dispersion and recuperation of the royal patrimony. Tom is also editing a volume of essays on the art historian Francis Haskell's inquiries into nineteenth-century taste, arising from a conference he organized at St John's College, Oxford and the Ashmolean in 2015. Parallel research projects include connoisseurship in the nineteenth-century Louvre and the historiography of 1789 in interwar France. He is a regular contributor and feature writer for the arts magazine Apollo, and in January 2017 co-curated an exhibition at the Bowes Museum on 'The Allure of Napoleon'.
Research Interest
Research Interests are Aesthetics and Politics, Counter-Revolutionary Thought and Culture c.1789-1900 France, c.1750-1900, Heritage and Historical Consciousness, Museums and Collecting, The Enlightenment and European Romanticism, The French Revolutionary Tradition, Urban History.
Publications
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Stammers, Tom (2008). The Bric-Ã -Brac of the Old Regime: Collecting and Cultural History in post-revolutionary France. French History 22(3): 295-315.
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Stammers, Tom (2013). Salvaging and Archiving the French Revolution. E-France: New Perspectives on the French Revolution 4: 57-59.
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(2014). Catholics, Collectors and the Commune: Heritage as Counter-revolution in Paris, 1860-1809. French Historical Studies 37:1: 53-87.
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Stammers, Tom (2018). Anatomy of a Salesroom, 1887: The Crown Jewels and the French Third Republic. The Journal of Modern History