Sean Cubitt
Professor
Media and Communications
Goldsmiths University of London
United Kingdom
Biography
He has worked in Canada, New Zealand and Australia, and has an interest in the film and media of these countries, and have ongoing research collaborations and honorary appointments at the Universities of Dundee and Melbourne. Professor Cubitt is on the editorial boards of a number of journals including Screen, Cultural Politics, Animation, International Journal of Cultural Politics, Visual Communications, Futures, Time and Society, fibreculture, MIRAJ and The New Review of Film and television Studies, and is a series editor for Leonardo Books, MIT Press. Professor Cubitt is half of the thriller-writing team Lambert
Research Interest
Topics include net art, Wikipedia, Clint Eastwood, ICT for development, meteorological art, creative practice research models, digital documentary, high-definition television, heterotopias, television history, collaborative models in online environments, games sound, interactive arts and the British film avant-garde. I have examined 32 PhD theses, again including many employing creative practice. I am especially interested in proposals on the history and archeology of media, media arts, ecocriticism and postcolonial studies of film and media.
Publications
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Temporalities of the Glitch: Déjà Vu Cubitt, Sean. 2017. Temporalities of the Glitch: Déjà Vu. In: Martine Beugnet; Allan Cameron and Arild Feltveit, eds. Indefinite Visions: Cinema and the Attractions of Uncertainty. Edinburgh: Edinburgh University Press, pp. 299-315. ISBN 9781474407120
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Finite Media: Environmental Implications of Digital Technologies Cubitt, Sean. 2017. Finite Media: Environmental Implications of Digital Technologies. Durham NC: Duke University Press. ISBN 978-0-8223-6292-0