Brian Murray

Biography

Brian Murray studied at Trinity College Dublin and Oxford before completing his PhD at King’s in 2011. From 2012 to 2015, Brian was Postdoctoral Research Fellow at Cambridge, where he worked with ten other scholars on a collaborative European Research Council project ‘The Bible and Antiquity in Nineteenth Century Culture’. He returned to King’s as Lecturer in Nineteenth-Century Literature in 2015.   Brian Murray studied at Trinity College Dublin and Oxford before completing his PhD at King’s in 2011. From 2012 to 2015, Brian was Postdoctoral Research Fellow at Cambridge, where he worked with ten other scholars on a collaborative European Research Council project ‘The Bible and Antiquity in Nineteenth Century Culture’. He returned to King’s as Lecturer in Nineteenth-Century Literature in 2015.  

Research Interest

"Brian’s research interests include travel writing, religion, empire and the reception of the classical and biblical past in the nineteenth century.  His forthcoming monograph, H.M. Stanley and Literature of Exploration: Empire, Media, Modernity, will investigate the ways in which exploration literature interacted with narratives of modernity and progress in the late nineteenth century. Rather than focusing on the diffusion of technology and ‘civilisation’ from centre to margin, he is primarily concerned with how the exploratory frontier is itself represented as a modernising space, and how the exploits of the explorer were paradoxically re-presented in the metropolis as both evocations of a heroic past and parables of progressive modernity.  Victoria’s Martyrs: Modern Lives and Ancient Forms, 1840–1918 Brian’s current project examines the persistence of martyrology as a literary form in the nineteenth century by examining both Victorian representations of early Christian martyrdom and the recapitulation of these tropes in accounts of contemporary martyrs. Although we are used to thinking of the Victorians as relentless historicizers, the ancient form of martyrology threatened to radically reformulate the linear and contingent events of progressive history into a recurring, circular model of devotional time. The project will explore representations of martyrdom in historical novels, paintings, sermons, hymns, drama, travel writing, and stained glass.  "