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Anca Parvulescu

Professor
Department of English
Washington University Saint Louis
United States of America

Biography

Anca Parvulescu's research and teaching interests include twentieth-century literature, modernity and modernism, literary and critical theory, narrative and the novel, and gender and feminist studies. Her 2010 book, Laughter: Notes on a Passion (MIT Press) tells the story of a modern prohibition on laughter. The book shows how literary and philosophical texts, in dialogue with conduct books and visual culture, produce a normative aesthetics of the smiling face as an alternative to the contorted face in laughter. The book is an attempt to extricate laughter from theories of the comic, humor, jokes, the grotesque etc, and redirect our attention to the burst of laughter itself. What kind of subjects are we when we laugh? Her second book, The Traffic in Women's Work: East European Migration and the Making of Europe (University of Chicago Press, 2014) is an intervention in the heated debate on the making and unmaking of Europe in the wake of 1989. It argues that the critical project of pluralizing Europe needs to account for the Europe brought together through the traffic in East European women. Reading recent cinematic texts that critically frame the traffic in women, the book shows that, in today’s Europe, East European migrant women are “exchanged” so they can engage in labor traditionally performed by wives within the institution of marriage. East European migrant women, alongside women from the global South, become responsible for the biopolitical labor of reproduction, whether they work as domestics, nannies, nurses, sex workers, or wives. Anca Parvulescu’s articles are published in journals like PMLA, New Literary History, Critical Inquiry, and Camera Obscura.

Research Interest

Modernism; Literary and Critical Theory; Women and Gender Studies; American.

Publications

  • “To Yes-Laugh: Derrida’s Molly.” Parallax 16:3. Special Issue, Yes! Ed. Gary Peters. Spring 2010. 16-27.

  • “European Kinship: Eastern European Women Go to Market.” Critical Inquiry 37:2. Winter 2011. 187-213.

  • “Old Europe, New Europe, Eastern Europe: Reflections on a Minor Character in Fassbinder’s Ali, Fear Eats the Soul.” New Literary History 43:4. Special Issue, “A New Europe?” Fall 2012. 727-750.

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